漫舞輕騰霓裳曲. As if dancing lithely in the air to the tune of the “Rainbow Skirt”.
Notes:The tune of the “Rainbow Skirt and Feathered Dress” has 36 movements and was reputed to be the composition of the Tang Emperor Yuan Tsung. The music and the dance were lost in the An Lu Shan rebellion. As it was considered as an ill omen piece of music and sign of decadence that it was never revived in the succeeding reigns of the dynasty until two hundred years later, when it was revived and improved on by the Overlord and Lady (李後主大周后) of the Later Tang (a totally different dynasty but shared the same last name). When Nanjing fell to the Sung forces, the Overlord Liyu ordered it destroyed. In 1186 during the Sung Dynasty, The 18 movements were rediscovered by 姜白石(姜夔) in Changsha. Whether it is the melody or the lyrics survived to this day, I do not know.
Peking opera interpretation of the imperial regalia of the Ming Dynasty as perceived by the common people.“The Drunken Concubine”, also known as the “Hundred Flower Pavilion” (百花亭) is a Peking opera. It was first played during the reign of Emperor Chien Lung in the Ching Dynasty. The role of the imperial concubine to date was best performed by a man – Mi Lan Fang (梅蘭芳). In the old days, like Kabuki, women are not allowed on stage.
紫羅紅裙配胭脂, Her purple gauze silk and scarlet skirt match her rouge,
金釵翠玉鎖黛雲, Golden hairpins and jade clasps lock in her ravenous hair.
醉意氛氛蹺天陛, In tipsiness, teetering here and there, she ascends the imperial steps,
漫舞輕騰霓裳韻. As if dancing lithely in the air to the tune of the “Rainbow Skirt”.
Wednesday, July 22, 2015